Recently, I finished a series of seven Norse deity tiles for my altar. There were some long gaps in time between making each one, and originally I aimed only to make tiles of the gods, and as for the goddesses, I made flat-backed figurines to hang on the wall in between the god tiles. However, at some point I thought it would look nicer to have them all be tiles.
My seventh tile was also my first craft project done in the new place. The inspiration for my Frigga tile was an illustration of Frigga from “Myths of Northern Lands” by Hélène Adeline Guerber.
In all my tiles, I’ve tried to include a specific feature so that each may be easily recognized as the deity they represent. So for Frigga, it was her distaff. It was actually harder to get the arm and hand shaped the way I wanted it than it was to form the distaff.
But the hardest part of the entire project for me was the face. Overall, I’d say my style of sculpting is “primitive”, though I have achieved much more detail than I ever thought I could with salt dough.
After the dough was completely air dried, I gave the tile a good coat of blue acrylic paint, them after that was dry, I sponged on light blue, mainly just getting the color onto the raised parts of the tile, letting the deeper lines and indentions remain the darker color. I let it dry for several days before I sprayed on a protective acrylic clear coat.
The tiles are roughly five and a half inches square. This one was made with regular salt dough, though most of the other ones were made with a stronger formula. All of them have a tack hole pressed into the back for hanging, although now I use plate hangers instead of hanging them from a tack since late last summer the humidity caused most of the ones I had made at that time to fall and break. (Don’t worry, I glued them all back- good as new, and gave them a clear coat.)