hidden practice


Over the years I have had a few people tell me that they can’t practice their Pagan spirituality because of their circumstances. Usually it is because of living with a conservative family member. While I have never really experienced this myself, I do get the feeling it is a common problem that affects not just the young. For some folks, hiding their true spiritual beliefs may be a matter of survival if they are dependent on others for home and shelter. Whatever your reason for not being able to practice openly, I hope the following ideas and insights may be of help to you.

For those of you who not only are restricted from openly practicing Paganism, but are also required to attend a mainstream church, here are a couple of strategies for you…

Before entering the church, remember this silent prayer-

“Whatever way my words may stray, it is to the Old Gods I truly pray.”

Also, when reciting prayers or singing hymns, you can quietly, or in your mind, add an “s” to the end of words like god, spirit, and lord. Likewise, replace the word “one” with “the” in things you may have to recite such as the Nicene Creed… “We believe in the Gods, the Father, the Almighty, makers of heaven and earth, of all that is, seen and unseen…”

And if you go to a church where all kneel to pray, think “this I do not to submit myself, but to dwell closer to Mother Earth”.

Adopting some form of soft polytheistic viewpoint may help ease inner conflicts as well; thinking of saints and other figures as avatars/versions of older deities, for example. Adopting some form of Pagan Gnosticism as a world view may help resolve some issues as well. Some would consider Christianity but another form of Paganism.

If you’re expected to wear a cross, find one that incorporates a tree emblem, or get a Celtic or equal-armed cross, to make it more meaningful to you.

Of course, one need not have any kind of altar to practice Paganism. A person could actually do everything mentally, visualizing devotionals, rituals, energy work, everything. However, it is beneficial to have some kind of touchstone in the physical world (especially if you can’t get out in nature as much as you’d like), to prevent a feeling of disconnect or “being in one’s head” all the time. If you have a small space to yourself, preferably the top of a bookshelf, then you can establish a discreet altar. You can use animal figurines to represent gods and goddesses, as most deities have animal associations. The Yule season is a great time to find altar items with a hidden meaning: a regal reindeer figure could represent Cernunnos or other antlered gods, you may find angel figurines that remind you of certain goddesses, and some rustic or unusual “Santa” figurines are reminiscent of Pagan gods.

9th night of YuleYou may even want to adopt Christian statuary for use on your altar. How can one not think of the Star Goddess when viewing one of those statues of Mary crowned with stars and standing on a globe?

Santa Marija Assunta
daily devotions
If you don’t have a lot of privacy, you’ll have to get creative with how you commemorate even day to day devotions. There are Pagan prayers that can be used with a traditional rosary, and doing so can be a ritual in itself. Also, there are traditional rosaries that have a tree for the crucifix. Prayer for your Druid Beads by Sarva Antah is a very easily memorized set of song prayers that honors nature spirits, ancestors, and deities. Yes, doing the prayers silently counts, as does simply meditating on the spirits, and no one around you would be the wiser.

How lucky we are to live in a culture that still retains so many of the older Pagan customs. We can light candles on a Yule log or decorate an Easter egg, and no one bats an eye or even thinks about how these customs relate to Paganism. Relish the special meaning these things have for you, even as those around you give them little thought. When you light a candle, or enact any of these customs, quietly or in your mind say something like, “This I do, in honor of my gods.”
You may not have a space or privacy to give offerings, but you can eat symbolic foods as a way of showing honor. Quietly or in your mind, say this blessing:

“Spirits (or Kindreds/specific deities), taste as I taste,
and let this sacred food of (name of holiday) be as an offering to you, through me.”

Some simple ideas for symbolic foods that can be easily obtained to commemorate the holidays are: an apple slice for Samhain, pork or gingerbread for Yule, a dairy food or honey for Imbolc, an egg for Ostara, a strawberry for Beltane, an orange slice for Midsummer, bread or berries for Lammas, and fruit salad for Harvest Home.
symbolic foods of the holidays
Here is where you may feel the most limited if you are of a mind to make magic a vital part of your lifestyle. Yet, it can be done. Use ordinary objects for your “tools”, and ordinary actions as your “works of magic”. Kitchen magic can be very subtle, using a wooden spoon as your wand and the entire contents of the kitchen as materials. Don’t forget about the subtle use of color magic and visualizations. You can simply send your energy out in accordance with your goal, and that requires no materials nor spoken words at all. Yes, every little thing you do (with intention) is magic! In your mind, dedicate whatever you’re doing, toward your goal.

There are a number of divination methods that require no special tools. Divination of Nature requires only your observance and intuition and includes the interpretation of dreams. In bibliomancy, one flips open a book, and reads a randomly selected passage. It is possible to use an ordinary deck of playing cards for divination. Pendulum divination can be done with only a key on a string.

If you are just starting out and seeking a way to learn all you need to know, I would recommend that you first learn all you can from trusted internet sources. (See my recommendations on book and internet resources.) Try to memorize what seems important, then clear your browser history. It may be tempting to obtain a lot of books, but if you have access to a good library, reading up on mythology and philosophy will give you a better foundation in the beginning. Some libraries will even order Pagan books if you put in a request. You can read them at the library if you feel it isn’t safe to bring them home.

If you are embarking on a hidden practice, take heart. Know that the circumstances holding you back are most likely temporary as are all things in life. You may even learn and grow from the experience.

the cake formula


For national cake day, I thought I’d share with you my method of cake baking. You see, I use the same basic recipe for most cakes I bake. It’s always a one-layer cake- that’s just enough for everyone to have some without too many leftovers. I’ve got the basic formula memorized, and many of the variations as well. I’ve done this with other baking too, which seems to fascinate people who come to visit me in the kitchen while I’m cooking, as I don’t often get my cookbook off the shelf anymore.

(I use old-fashioned abbreviations in my recipes. If you’re unfamiliar– c. is cup, tsp. is teaspoon, T. is tablespoon, oz. is ounce.)


1 c. flour
1 tsp. baking powder
½ tsp. salt
1 c. sugar
1 egg
1/2 c. to 1 c. milk (or buttermilk)
4 T. oil or melted butter
½ tsp. vanilla (or other extract)

Preheat oven to 350°F. Mix dry ingredients. Add egg, butter, vanilla, the variation ingredients, and then just enough milk to make a medium-thick batter. Stir to combine. Pour into a greased pan. Bake 10 minutes for mini-cupcakes, about 20 for regular cupcakes, or 30 to 40 minutes for a cake. For all variations, cake is done when a toothpick inserted near the center comes out clean. Makes 24 mini-cupcakes, 12 full sized cupcakes, or a 1 layer cake.

(Incidentally, if you reduce the sugar to a third cup, you get the right amount of sweetness for muffins or breakfast bread.)


Banana Nut – add 1 c. mashed bananas and ½ c. chopped walnuts.

Berry – add 1 c. fresh or frozen berries (chopped, if berries are large). Optional: stir pureed berries into frosting.

Coconut – use coconut milk/cream in place of regular milk. For the frosting, use cream cheese frosting and top with coconut.

Piña Colada – add 1 small can drained crushed pineapple and ½ c. coconut.

Caramel – add an extra egg, use 1/3 c. sour cream in place of milk. Frost with caramel icing.

Spice – add 1 tsp. cinnamon, ¼ tsp. ginger, ¼ tsp. nutmeg, & dash of white pepper.

Gingerbread – substitute molasses for ½ the sugar, add gingerbread cookie spices (1 1/2 tsp. cinnamon, 1 tsp. ground cloves, 1 tsp. ginger, and 1/2 tsp. nutmeg).

Lemon – add 1 tsp. lemon extract to batter.

Apple Spice – add 2 peeled chopped apples, ½ tsp. cinnamon and a dash nutmeg.

Pumpkin Spice – add 1 c. canned pumpkin, 1 tsp. pumpkin pie spices, ½ c. nuts.

Chocolate Chip – add 1 c. mini chocolate chips and nuts if desired.

Chocolate – add ¼ to ⅓ c. cocoa powder to dry ingredients.

German’s Chocolate – top a chocolate cake with pecan-coconut frosting.

Devil’s Food – make as for chocolate cake, but double the cocoa, increase sugar by ¼ c., and add ½ tsp. baking soda.

Red Velvet – add 1 ½ tsp. cocoa, 1 ½ T. red food coloring, and ½ T. white vinegar to batter. Frost with ermine icing.

Mississippi Mud – Top warm chocolate cake with a layer of mini marshmallows, then chocolate glaze, then chopped pecans.

Peanut Butter – add ¼ to ½ c. peanut butter.

Carrot – add 1 tsp. cinnamon to dry mix. Add one more egg and use brown sugar instead of white. Add 1 c. grated carrots and ½ c. chopped nuts to batter.

Ambrosia – add ½ small can of drained mandarin oranges. Top cooled cake with a mixture of sweetened whipped cream, crushed pineapple, & shredded coconut.

Kool-aid – add unsweetened drink mix to dry ingredients for color & flavor. –Add watermelon kool-aid to chocolate chip cake for watermelon cake.

Pecan Praline – use brown sugar for ½ the sugar. Mix ¾ c. chopped pecans into batter. Top baked cake with praline icing.

Brownies – for any of the above variations, half the amount of flour and baking powder, double the amount of oil/butter and eggs, and leave out the milk.

Hummingbird – add 1/4 tsp. cinnamon, 1 mashed banana, and 3 oz. crushed pineapple. Top cooled cake with cream cheese frosting and chopped walnuts.

Pound Cake – use only ¼ c. milk, 3 eggs, increase butter to ½ c. Beat ingredients 10 minutes. Bake in a loaf pan at 325°F for 40 minutes or more.

Sponge Cake – leave out milk, vanilla, baking powder, and oil. Use just a pinch of salt and increase eggs to 4. Beat eggs till thick, gradually beat in sugar & salt, then fold in flour. Add juice of ½ a lemon/orange (or 2 tsp. cocoa). Bake at 350°F.

Pineapple Upside Down Cake – melt 1/4 c. butter in baking pan (instead of using it in the batter) and sprinkle 1/2 c. brown sugar over it. Over this, place pineapple slices and maraschino cherries, also lining sides with halved pineapple slices. Half the amount of sugar used in the cake batter and carefully pour batter into pan. Bake 30 to 35 minutes at 375°F.

the cake formula | Ozark Pagan MammaAnd for the frostings…

Basic Glaze
1 ¼ c. powdered sugar         
3 T. milk or juice
1/2 tsp. flavoring extract (optional)
Combine ingredients and drizzle over cake. Makes about 1/2 cup of icing.

Chocolate Glaze or Frosting
3 T. cocoa
2 T. butter, melted
1 c. powdered sugar
1⁄2 tsp. vanilla
3 T. warm water
Melt butter. Add other ingredients except water. Stir until well mixed. Add water a little at a time until you get desired consistency. Stir till smooth.

Buttercream Frosting
1½ c. powdered sugar
1 stick butter
1/2 tsp. flavoring extract
1/2 to 1 T. whipping cream
Whisk together sugar and butter. Mix on low speed until well blended and then increase speed to medium and beat for another 3 minutes. Add vanilla and cream and continue to beat on medium speed for 1 minute more, adding more cream if needed for spreading consistency.

Caramel Icing
3/4 stick butter
12 oz. evaporated milk
1 c. sugar
1 tsp. vanilla extract
Add butter, evaporated milk, and sugar to saucepan over medium heat until everything has melted together. Leave over medium to low heat stirring periodically for 1/2 hour or longer (watch the entire time to make sure it does not burn) until thickened and caramel has darkened to a beautiful golden brown. It should also coat the back of a spoon to ensure thickness. Be careful to watch, adjusting heat temperature to not let it burn. Remove from heat and add in vanilla extract. Cool for about 15-20 minutes before icing the cake.

Cream Cheese Frosting
8 oz. cream cheese, softened
1/2 stick butter, softened
1 c. sifted powdered sugar
1/2 tsp. vanilla extract
In a medium bowl, cream together the cream cheese and butter until creamy. Mix in the vanilla, then gradually stir in the powdered sugar. Store in the refrigerator after use. Frosts a one-layer cake or 12 cupcakes. –Variation: add 2 to 4 T. cocoa powder for chocolate cream cheese frosting.

Praline Icing
1/4 c. butter
1/2 c. brown sugar
3 T. evaporated milk or half and half
1/2 c. chopped pecans
Combine all ingredients in saucepan. Boil 2 minutes. Pour over warm cake.

Pecan-Coconut Frosting
6 oz. evaporated milk
1 egg, beaten slightly
1/4 c. butter
2/3 c. sugar
1/2 tsp. vanilla extract
1 c. flaked coconut
1/2 c. chopped pecans (plus extra for topping)
In a heavy 2 qt. saucepan over medium heat, cook the milk, egg, and butter, and sugar 10 minutes, stirring constantly, until bubbly. Remove from heat, and stir in the coconut, pecans, and vanilla. Allow to cool for 15 minutes before spreading on cake.

Ermine Icing
5 T. flour
1 c. whole milk
1 tsp. vanilla extract
pinch of salt
1 c. unsalted butter, softened
1 c. sugar
Over medium heat, whisk flour and milk in a small saucepan and heat to a simmer, stirring frequently until it becomes very thick and almost pudding-like. Remove from heat, whisk in vanilla and salt. Pour into a bowl to allow it to cool completely. Put plastic wrap on the surface to keep a skin from forming. Use a mixer to cream together butter and sugar until light and fluffy, scraping the sides of the bowl occasionally, about 5 minutes. With the mixer on medium, add the cooled flour mixture a little bit at a time. Continue to beat until the mixture becomes light and fluffy and resembles whipped cream.

Recommended Resources for New Pagans


While I wouldn’t exactly call myself an expert, I have been a Pagan for about 30 years. These are a few resources I would endorse for Pagans just starting out, especially those on a Celtic and/or Norse path.


Anything by the late great Isaac Bonewits
Real Magic, Real Energy, Neopagan Rites… all great stuff to start out with.

People of the Earth: The New Pagans Speak Out by Ellen Evert Hopman and Lawrence Bond
Including interviews across the spectrum, this book is a great way to compare the various Pagan paths (even though now it has become a little outdated, as new paths have arisen over the years). Many of the interviews are with founders of traditions, making this compilation of great historical significance as well. A similarly good source is Drawing Down the Moon by Margot Adler.

Earth Power: Techniques of Natural Magic by Scott Cunningham
This book has stuck with me through the years. These simple techniques in natural magic are of benefit to anyone of any Pagan path. The earliest editions of this book have beautiful art nouveau illustrations.

Celtic Rituals by Alexei Kondratiev
I recommend this not for the ritual style, but for the deep insights and ritual themes Alexei had for the holy days.

The Celtic Devotional: Daily Prayers and Blessings by Caitlin Matthews
Recommended especially for soft polytheists or duotheists, this little book is a treasure trove of beautiful of prayers and blessings.

Kindling the Celtic Spirit by Mara Freeman
A nice source and light read for customs and themes of various holidays throughout the year.

Myth, Legend, and Romance: An Encyclopaedia of Irish Folk Tradition by Daithi O Hogain
A good solid reference.

The Poetic Edda by Carolyne Larrington
A clear and readable translation of the Elder Edda.

The Children of Odin by Padraic Colum
Yes, this is a children’s mythology book, but a great read and easy introduction to Norse mythology for adults as well. It’s a good place to start if you’re not ready to tackle the Eddas.

The Seed of Yggdrasill- Deciphering the Hidden Messages in Old Norse Myths by Maria Christina Kvilhaug
Maria has some really mind-blowing amazing insights into Norse mythology. If you can’t find her book at a reasonable price, check out her youtube channel: Lady of the Labyrinth.

Sea Sky Soil: An Introduction to Waincraft by Nicanthiel Hrafnhild
If you lean more toward soft/squishy polytheism, and want to combine Norse and Celtic pantheons, this book will provide a lot of ideas and inspiration for it. However, does not include any guidelines on forming Waincraft ritual.


The Witch’s Voice (Witchvox)
A great source for descriptions of Pagan paths, articles, and finding local Pagan events and groups (not just for Witches/Wiccans).

The Cauldron: A Pagan Forum
Message boards and articles, basically a ton of information. Check out their page titled A Pagan Primer.

Ár nDraíocht Féin: A Druid Fellowship
A great organization and a great resource for rituals, chants, articles, and Indo-European Paganism.

A good place to start if interested in Celtic Reconstructionist Paganism.

The organization is no longer active, but the website is a great source of articles and information.

Ghaol Naofa
Their name means “sacred kinship”. A great source for Gaelic polytheism.

Temple of Our Heathen Gods
So much information and resources. So. Much.

Asaerich’s Domain
Ásatrú basics, very informative for beginners.

Odin’s Gift
A wonderful online source for Norse poetry, invocations, and especially- song.

Waincraft – Following the Call of the Land
The main online source for this fairly new tradition.

The Compleat Waincraft
Waincraft on tumblr.

recommended resources

a Lord of Plenty sculpture


Abundance, or the Lord of Plenty- as I like to call him, is the third primal Power in Waincraft, the second born of Mother Night, and bright twin of the Wild Father. In creating a sculpture to represent him for my altar, I drew on imagery of what this Power represents for me from Germanic and Celtic sources, but also a lot from intuition.

As for how I made the sculpture, just as I did with my Wild Father sculpture, I started with a regular batch of salt dough (2 cups flour, 1 cup salt, and about a cup of water). After kneading, I broke off a big chunk of the dough and formed a rectangle and rounded off the top edges for shoulders. I rolled out some more dough and cut a circle shape with a drinking glass. This I placed above the shoulders as a backdrop to the head and celestial objects around the figure, making the basic size and outline match its twin sculpture.

Lord of Plenty construction
The beard and face were all one rounded rectangular piece. (When attaching a new piece, always dampen the base surface.) I used a cutting tool to add details to the beard. A tiny rope of dough was used for the nose/eyebrows. After making soft indentations for the eye-sockets, I attached tiny balls of dough for the eyes, poked holes for the pupils, and cut horizontal slits to suggest eyelids.

I cut grooves into the sides of the figure to suggest arms of a robe. The wheat-like texture on the right of the figure was made with little scissor snippets.

The cornucopia, pig, and bird shapes I added to the base were cut out of dough flattened with a rolling pin. Ropes of dough were used to make the tree branches and the sun rays. The apples and leaves on the tree, and fruit in the cornucopia were all made from small balls of dough. For the leaves, I flattened small balls of dough and pinched each end. The stars around the head started out as tiny balls of dough also. I cut and carved their shapes after attaching, pressing down with a small tool, the areas I wanted to recede into the background.

For the opening to the cornucopia, I pressed into the base a little with my thumb, then attached a rope of dough around it, smoothing with dampened fingers where the rope joined to form a circle. I then pressed ridges into the cornucopia basket.

When completely done shaping and blending, I baked it at 250°F for several hours.

After cooling, I painted all the grooves and crevices with an acrylic craft paint in the shade of burnt umber to get a good contrast. I used a paintbrush dipped in water to blend a little bit of the color to other areas for lighter contouring. When this was dry, painted the rest of the piece. When all of this was dry, I sprayed the entire piece with a coating of clear acrylic.

My new altarpiece now sits upon the fireplace mantle next to a small cauldron. I hope this description of how I made it was useful to anyone wishing to make something similar.

Lord of Plenty

a Wild Father sculpture


Wildness, or as I prefer to call him- the Wild Father, is the second primal Power in Waincraft, the first born of Mother Night, and dark twin to the Lord of Plenty. In creating a sculpture to represent him for my altar, I drew on imagery of what this Power represents for me from both Celtic and Norse lore.

Instead of telling you which deities I drew on for this, I will just say that one was a deity I followed in my early days as a Pagan, and one is a later patron. The idea that both deities draw from (or are aspects of) the same Power, holds deep spiritual meaning for me. Many other deities come to mind as well when I gaze upon this altar piece. I don’t want to name specific names here because I want others to see what is most meaningful to them.

As for how I made the sculpture, I started with a regular batch of salt dough (2 cups flour, 1 cup salt, and about a cup of water). After kneading, I broke off a big chunk of the dough and formed a rectangle and rounded off the top edges for shoulders. I rolled out some more dough and cut a circle shape with a drinking glass. This I placed above the shoulders and a backdrop to the head and antlers of the figure.

crafting the wild god

Working with salt dough is pretty simple. The shapes I add are usually rolls (for hair, beard, antlers, snake…) or balls of dough (like for the head). When attaching a new piece, always dampen the base surface. With dampened fingers, I continue to shape and blend pieces after attaching to the base.

Small flattened balls of dough are blended on the face for cheekbones and a tiny roll of dough for the nose/eyebrows. For simple deep-set eyes, I poked holes with a toothpick. You may not be able to tell from this photograph, but one eye is closed.

I cut grooves into the sides of the figure to suggest arms of a robe, and I dug deep grooves into the center to form a tree. I scratched texture into the sides to represent vining spiraling wild growth. When completely done shaping and blending, I baked it at 250°F for several hours.

After cooling, I painted all the grooves, crevices, and backdrop of the antlers with an acrylic craft paint in the shade of burnt umber to get a good contrast. I used a paintbrush dipped in water to blend a little bit of the color to other areas and for lighter contouring of the hair and face. When this was dry, I sponged on brighter colors on many of the raised areas and painted the snake a sage green. When all of this was dry, I sprayed the entire piece with a coating of clear acrylic.

My new altarpiece now sits upon the fireplace mantle. I hope this description of how I made it was useful to anyone wishing to make something similar. Check in next week and I’ll tell you how I made my sculpture of the Wild Father’s twin- the Lord of Plenty.


shifting paradigms and the star goddess


Over the past few months I’ve been contemplating a new paradigm for my personal spirituality, not so much a “changing of the gods” as when I went from Celtic Recon to predominantly Heathen, but rather, something that could combine the two or even take the focus a little bit away from culture-based spirituality. Also, something that acknowledges squishy polytheism.

At first I looked into Proto Indo European religion and liked a lot of what I read. However, the harshly patriarchal mythology left much to be desired. Waincraft kept popping up as a possibility. I really liked a lot of the ideas, but coming from scholarly traditions like ADF and CR, I was a little put off at first by the amount of UPG or SPG. However, the more I started looking into it, the more it resonated. It is really well thought out. I’m actually gaining a deeper understanding of Northern European Paganism through this system.

So I began to really contemplate the world view, Powers and new mythology of Waincraft. After a while I began to think about how I might rearrange my altar space to reflect my new framework and incorporate some new deities and combine Waincraft and ADF symbolism. So one day I was doing my daily (or semi-daily) devotionals, asking the Kindreds for guidance as I shuffled my tarot cards. One literally jumped out and landed in front of me face-up and upright. I took it as a sign that this card was my omen. A chill ran through me. The visual of Queen of Pentacles made me immediately think of the Star Goddess (Night)–the first deity of Waincraft.

queen of pentaclesI took this to mean that the Spirits wanted me to go forward on this new path. I decided I would rearrange my altar tiles and buy, make, or re-purpose an image to represent the star/night goddess on my altar. As I picked up one of the tiles to rearrange (the Heimdall tile I made three years ago), it crumbled in my hands. The tile had broken into several pieces the year before, as did most of the others I had at the time, and I had glued them back, but I guess the damp spring we had this year was just too much humidity for them. Upon examining the other altar tiles, I discovered they were in the same ready-to-crumble shape. I hadn’t planned on such a big change in altar layout, but it seems this was meant to be. I will still be honoring my same gods, but their representations are going to be different, as are the way I think of them in relation to each other and the world.

So starting at the beginning, I made a representation of Mother Night. I wanted to re-purpose an already made statue for this, for the sake of sturdiness and longevity, but unable to find the right one, I decided to go with making one of salt dough to serve for now. Instead of using “strong salt dough” like I’ve done in the past, I just used the regular formula: 2 cups flour, 1 cup salt, and about a cup of water. And instead of air drying it, I decided to bake it at 250°F for several hours.

I went with a flat back like for the tiles I made, and flattened the bottom end so that it could be stood up when finished. I wanted her to have long flowing robes and outstretched arms. Since the robes drape down from her arms and flow into her diaphanous dress, it forms a good solid shape with no small parts to break off. The resulting piece was thick, solid, and sturdy after oven drying. Oven dried salt dough seems more bread-like than air dried, and less grainy. It may still break eventually, but maybe not crumble apart like the other ones did.

crafting a star goddessThe first coat of paint was glossy black. I then sprayed on small spurts of various shades of purple, some blue, and a little bit of silver. Later I sponged on some lavender to highlight some places that needed it. Finally, I splattered on white paint with a toothbrush to make stars.

I’m still working out how to combine ADF with Waincraft for my personal spirituality. But this beginning feels right. I feel like I’m being true to myself and reconnecting with some powers and energies that I had long forgotten about.

“We are stardust
We are golden
And we’ve got to get ourselves
Back to the garden.”
-Joni Mitchell

salt dough star goddess

semi-daily devotionals


Here lately, I’ve felt the need to revamp my daily spiritual practices. For a long time, I was only doing an adapted version of Sigrdrifa’s prayer at my bedroom window upon rising every morning. But you’ve got to change things up now and then, and I wanted to start using my den altar space more often. So I came up with a simple devotional that has a light touch of ADF structure. My aim was to do this once a week, but I’ve made it simple enough that I often do it several times a week, thus the title “semi-daily”.

I actually have started using a Gatekeeper in my personal practice (something I only did for group rituals or dedicant rites before), and I call upon Raven for this. I think of the spirit Raven as one of Odin’s birds, but I like the idea that ravens are sacred birds of many other deities from other cultures also. My hearth culture is mainly Norse/Anglo-Saxon but I call upon Celtic deities sometimes as well. So calling upon Raven as my personal Gatekeeper seems right and fitting and has a timeless feel. For offerings I usually use incense, and blessed or herb-infused water.

I Beginning
Fire Hallowing (I only do this periodically, the effect is very long lasting.)

•“Water, make me pure, that I may reach the infinite.” (Forehead anointed with water.)

•“I’m here to honor the Kindreds. Earth, Holy Mother, may you receive my offering of love and bless my time with the Spirits.” (Bend to touch the earth and send love.)

II Cosmos
Tree of Life Three Realms Meditation
“I am at the center of the worlds, and I light a sacred flame.” Light central candle, and from this, a stick of incense.

•Gatekeeper “Raven, you who fly between worlds, messenger of gods, wise and clever bird, I offer you my friendship and love.” (Anoint bird figurine with blessed water. Circle incense around it three times.)
“May you share your magic with me, guide and ward me as I open the ways.”

“Kindreds, I open the Fire Gate of my mind that I may know you.” (Hands at temples.)
“I open the Well Gate of my heart that I may feel you.” (Hands over heart.)
“I open the Tree Gate of my body and soul that I may experience you.” (Arms outstretched.)

III Worship
•Kindred Invocation: Sing “Prayer for your Druid Beads“, circling appropriate altar figures with incense for each verse. (I’ve changed some of the wording for my personal tastes, but use the same tune.)

•Personal prayers; this is my general formula for any personal prayer–
“Beloved Kindreds of my heart, (name personal deities/spirits)
I thank you for all you have given, (name examples)
May you continue to bless and guide me and mine.”

IV Blessing
•Omen of the day: draw a tarot card or rune, first asking the Kindreds what they wish for me to know today.

V Conclusion
•“My love and thanks to all beings.
As it was, as it is, as it evermore shall be.
With the ebb, with the flow, blessed be.”

semi-daily devotionals